News

GROUP EXHIBITION ADDRESSES
COMPLEXITIES OF URBAN LANDSCAPE

July 9, 2013

SPRAWL
On View October 4, 2013 – January 19, 2014
at Houston Center for Contemporary Craft

(HOUSTON, TX) July 5, 2013 — With its soaring expressways and seemingly endless geography, little defines Houston in the public consciousness more than urban sprawl. This fall, Houston Center for Contemporary Craft (HCCC) takes on the implications of this development pattern in the national exhibition, SPRAWL. Co-curated by former HCCC Curatorial Fellow, Susie J. Silbert and former HCCC Curator, Anna Walker, SPRAWL features 16 emerging and mid-career artists whose works deal with the urban landscape.

Arranged in three sections, “Infrastructure of Expansion,” “Survey, Plan, Build,” and “Aftereffects,” which loosely define the phases of urban growth, the exhibition is intended to present a non-polemical view. As Silbert and Walker commented, “The topic of sprawl can be a lightening rod—depending on who you talk to, it can evoke visions of cookie-cutter houses and inefficient city planning or it can inspire discussions on freedom of choice and affordable housing. We wanted to harness that complexity to create an exhibition that looks at the totality of sprawl—the good, bad, and the ugly.”

An example of this ambivalence can be seen in Yesterday’s Tomorrow, an expansive piece by ceramic artist, Dylan Beck, comprised of wood shims, plastic, and clay. In it, a shimmering column of silvery plastic gridding and brilliant blue—a simulacrum of a glass and steel skyscraper—juts up next to an ornate ogee of grouted terracotta cornices. Read from one angle, it can be seen as a symbol of upheaval, of old making way for new. From another, it represents the aesthetic dynamism of a postmodern city, incorporating diverse styles and historical periods into a cohesive whole.

Norwood Viviano takes a more analytical approach to the topic of expansion in his installation, Cities: Departure and Deviation. Borrowing a page from architects and urban planners, the artist analyzed statistical data from 24 urban centers in the United States to create digital renderings charting their population growth and/or decline. Viviano used these renderings to create precise three-dimensional models in pristine shades of black, white and transparent grey glass that hang like plumb bobs—a further reference to processes of construction and growth. The overall effect is clinical, though the precarious nature of the material hints at an underlying fragility.

Kathryn Clark’s Foreclosure Quilts are also grounded in data, though their presentation is anything but clinical.  With their minimal geometric patterns, subdued tones and scrappy appearance, Clark’s pieces incorporate the human touch of textile to make the pain of the housing crisis palpable. Using a specificity forged in years spent as an architect and urban planner, Clark translates data from the hardest hit sections of each city into layers of color, even cutting out sections to represent foreclosed properties, to create pieces such as Detroit, Chicago, and Cape Coral.

In addition to the works on site, SPRAWL will incorporate two additional types of programming. The first is a series of walking tours, featuring craft in the suburbs of Houston, by artist Carrie Schneider as part of her project, Hear Our Houston. The second is HCCC’s inaugural speaker series, designed to provide a forum for Houston’s rich dialogue on urban development.  Further information on both of these series will be available in mid August.

SPRAWL  Featured Artists

Dylan J. Beck
Kathryn Clark
Beatrice Coron
Dustin Farnsworth
Julia Gabriel
Nancy Nicholson
Sara Pfau
Keith Renner
Paul Sacaridiz
Carrie Schneider
E. Ryan Simmons
Demitra Thomloudis
Norwood Viviano
Ashley Wahba
Dane Youngren
Andrea Zeuner

SPRAWL Speaker Series
(Final Schedule as of 8/15/13)

All talks will take place at Houston Center for Contemporary Craft.

Infrastructure of Expansion

  • October 18, 12:00 – 1:00 PM: Ed Emmett, Harris County Judge
  • October 24, 6:00 – 7:00 PM:  Thomas Colbert, Associate Professor at the Gerald D. Hines College of Architecture, University of Houston & Susan Rogers, Community Design Resource Center Director and Assistant Professor of the UH College of Architecture

Survey, Plan, Build

  • November 6, 6:00 – 7:00 PM:  Brian Crimmins, City of Houston Planning & Development Chief of Staff
  • November 7, 6:00 – 7:00 PM:  Houston Urban Development & Improvement Panel (David Crossley, President of Houston Tomorrow; Peter Brown, Director of Better Houston; and Diane Schenke, President of Greater East End District)

After Effects

  • December 17, 6:00 – 7:00 PM:  Sara Zewde, Designer/Planner at Asakura Robinson
  • January 9, 7:00 – 8:00 PM:  Carrie Schneider, Houston Artist

The SPRAWL Speaker Series was made possible in part through the City’s Initiative Grant Program of the Houston Arts Alliance.

SPRAWL Exhibition Dates
October 4, 2013 – January 19, 2014
In the Main Gallery at Houston Center for Contemporary Craft,
4848 Main Street

Opening Reception
Friday, October 4, 5:30 – 8:00 PM
5:30 PM – Artist Talk by Abigail Anne Newbold (Crafting Independence)
5:45 PM – Curators’ Talk by Susie J. Silbert and Anna Walker (SPRAWL)
6:00 – 7:00 PM – Open Studios by Current Resident Artists
The opening will also feature two other new exhibitions: Abigail Newbold: Crafting Independence, in the Front Gallery, and The Maker’s Archive, in the Artist Hall.

MEDIA CONTACT:
Mary Headrick (mheadrick@crafthouston.org)
Houston Center for Contemporary Craft
713.529.4848 x 107

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4848 Main Street, Houston, TX 77002

Houston Center for Contemporary Craft is located in the Houston Museum District, two blocks south of Highway 59, near Rosedale St. Visitors should park in the free parking lot located directly behind the building, off Rosedale and Travis Streets, and enter through the back entrance. 

Free Admission

OPEN TUESDAY – SATURDAY, 10 AM – 5 PM

4848 Main Street, Houston, TX 77002

Houston Center for Contemporary Craft is located in the Houston Museum District, two blocks south of Highway 59, near Rosedale St. Visitors should park in the free parking lot located directly behind the building, off Rosedale and Travis Streets, and enter through the back entrance. 

Free Admission

OPEN TUESDAY – SATURDAY, 10 AM – 5 PM

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