About Us

Mixed Media Artists

The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media. Museum visitors have the unique opportunity to visit the artists’ studios and watch the artists at work. Interacting with the resident artists is a great way to learn about a range of craft processes and techniques. In turn, the artists receive a unique opportunity to gain exposure, make connections with the Houston community, and help educate the public about craft.
Photo courtesy of the artist.

Perata Bradley

Studio: Anne Kinder Studio
Medium: Mixed Media
Residency: June 1, 2024–
November 30, 2024

Perata Bradley was born and raised in Freedmen’s Town in Houston’s Fourth Ward. She graduated cum laude at the University of Houston with a BA in art and a Certified Nonprofit Professional (CNP) certification. Bradley is a mixed-media artist who spotlights gentrification through the use of photography and sculptures at the intersection of architectural design and social narrative. She says, “Through the mediums of craft and design, working with foam and cardboard material, I construct visual installations that pay homage to the historical significance of architectural landmarks in Houston’s historic Freedmen’s Town Fourth Ward.” While at HCCC, her goal is to recreate remaining historical structures in the Fourth Ward, as well as include the downtown Houston skyline for her first public exhibition, “The Holy Truth.”

Perata’s residency was generously sponsored in part by Rob Greenstein.

Photo by Katy Anderson.

Robert Hodge

Medium: Fiber
Residency: January 1, 2024–
May 31, 2024

Robert Hodge is a multidisciplinary artist currently working in Houston, Texas. His work celebrates resilience and reclamation through commemorations of African-American cultural icons and is grounded in the rich continuum of African-American history and cultural expression. Hodge’s collage-based works pair urban detritus and found objects with cut-out images, lyrics, and other signifiers of the African-American experience, creating a duality of meaning in which fragments of everyday life become conduits of artistic expression. His works are often cut, sewn, scorched, and painted, collapsing the space between his reclaimed materials and the traditions he invokes, and suggesting alternative pathways through the “layer cake” of African-American history.

Hodge has exhibited his work in galleries and museums across the country and internationally, including the Baltimore Museum of Art, The Contemporary Art Museum of Houston, the Carnegie Museum, and the Blaffer Museum. The multi-media artist also recently released a theme-based record honoring and remixing music from the legendary Robert Johnson.

The artist’s work is featured in HCCC’s In Residence: 17th Edition exhibition.

To learn more about Robert Hodge’s work, visit http://www.robertleroyhodge.com/.

Robert’s residency was generously sponsored in part by Scott & Judy Nyquist.

Photo by: Rebecca Dobler-Chale.

Priscilla Dobler Dzul

Medium: Mixed Media
Residency: December 1, 2021–
February 28, 2022

Priscilla Dobler Dzul is an interdisciplinary storyteller, who creates multimedia installations in wood, textiles, ceramics, food, and paintings. Her work is focused on reframing the context of America’s prideful nationalism and colonization of indigenous cultures, while critiquing identity and examining the structures of power in the domestic realm. 

Dobler Dzul’s work has been exhibited domestically and internationally. Most recently, she has shown at Project for Empty Space, Newark, NJ; A.I.R Gallery, Brooklyn, NY; Consulate of Mexico, Seattle, WA; The Northwest African American Museum, Seattle, WA; NARS Foundation, Brooklyn, NY; 125 Maiden Lane, NYC, NY; Olympic Sculpture Park, Seattle, WA; King Street Station, Seattle, WA; The Orange County Center for Contemporary Art, Santa Ana, CA and Decentered Gallery, Puebla, Mexico. In addition, she was a 2014 recipient of Grants for Artist Projects from the Artist Trust, 2015 Bailey Award, 2016 Edwin T. Pratt Scholarship, 2017 & 2021 Tacoma Artist Initiative Program Grantee, and 2021 Puffin Foundation Awardee. Since 2016, she has completed seven successful artist residencies on full fellowships. She received her MFA in sculpture from the State University of New York at New Paltz in 2013. 

Learn more about her work at http://priscilladoblerart.com/.

Above, from top to bottom: Sarah Mizer. Photo courtesy the artist. Sarah Mizer, “Rainbow Rocks.” 2013. Ink, Gouache and vinyl on paper. Photo courtesy the artist.

Sarah Mizer

Medium: Glass
Residency: June 1, 2014–
August 30, 2014

Originally from Providence, RI, Sarah Mizer is a Richmond, Virginia-based artist whose work ranges from billboards to small glass objects. Sarah has exhibited extensively, reaching galleries from Los Angeles to New York, Milwaukee to Houston, and including her hometowns: Richmond and Providence. Recently, her glasswork was part of a contemporary craft exhibition, Ambiguity and Interface, curated by Ray Cass and Howard Risatti at the Taubman Museum. Sarah’s work is in public collections at Alfred University and Pam and Bill Royall’s Try-Me, as well as many private collections.

While in residence at HCCC, Sarah will be working to bridge her glass installations, drawing, and billboards practices into a more cohesive body of work. She is taking time off from Virginia Commonwealth University, where she is the administrative director and assistant professor in the Art Foundation Program. Sarah also sits on the Board of Directors for 1708 Gallery. With a background in glass, she holds her MFA from VCUarts, in the Craft/Material Studies department, and her BFA from the New York State College of Ceramics at Alfred University. Sarah will be with HCCC through August of 2014. Learn more about her work at https://www.sarahrbmizer.com/.

Lisa Qualls

Medium: Mixed-Media Artist
Residency: January 1, 2007–
May 31, 2007

Lisa Qualls works in mixed media – primarily with paper, clay and fibers. She draws on her background of sculpture, photography, printmaking and textile design to create both two- and three-dimensional visions of the world around her. She is inspired by history, literature, nature and dreams, and the resulting artwork ranges from surreal to humorous to political. She enjoys transferring techniques from one medium to another, as sometimes textile techniques work very well for clay or paper and vice-versa. For Lisa, the most important thing is creating a visual work of art that expresses her idea and is meaningful to the viewer. Lisa received her BFA at the University of Texas at Austin and continued studies in textile design, clay and mosaics at Parsons and the Fashion Institute of Technology in New York and at CISIM in Ravenna, Italy. She recently received a Fellowship Grant from the Houston Arts Alliance. To learn more visit www.lisaqualls.com

The application for the 2025 – 2026 cycle is open through February 1, 2025. It’s free to apply!

The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.

The application for the 2025 – 2026 cycle is open through February 1, 2025. It’s free to apply!

The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.

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