About Us

Wood Artists

The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media. Museum visitors have the unique opportunity to visit the artists’ studios and watch the artists at work. Interacting with the resident artists is a great way to learn about a range of craft processes and techniques. In turn, the artists receive a unique opportunity to gain exposure, make connections with the Houston community, and help educate the public about craft.

Jamie Sterling Pitt

Studio: Asakura Stolbun
Medium: Wood
Residency: September 1, 2024–
February 28, 2025

Having suffered a traumatic brain injury many years ago, Jamie Sterling Pitt developed an artistic practice that served as an autobiographical image bank, representing memories, places, and sensations and reinterpreting these experiences in the form of two- and three-dimensional reconstructions. This process became a tool to help cope with his short-term memory loss and difficulties with language. Through drawing and sculpture, he is able to give form to the less concrete and harder to articulate aspects of the mind, such as something sensed or a fading memory. Recently he has used a combination of wood, ceramic, acrylic, and glaze in his work. “I am interested in a visual ambiguity to material where it is not abundantly clear what is made of wood and what is made of clay. This allows for contemplation of both material and the interior space of one of the forms in what related to both the body and architecture.”

During his residency at HCCC, he plans to explore functionality and use his studio to create sculptural furniture and play with sight lines and space. He hopes visitors will be encouraged to use and activate his works with their bodies.

Originally from New York, Pitt earned his BFA from the University of New Mexico and his MFA from Mills College. He currently lives and works in Houston, TX, and Santa Fe, NM. His work has been the subject of solo exhibitions in San Francisco, Boston, Los Angeles, New Mexico, and Berlin, and in group exhibitions at the Laumeier Sculpture Park in St. Louis, MI, and the Schneider Museum of Art is Ashland, OR, as well as throughout the Bay Area and New York.  Most recently, his work was shown in dialogue with JB Blunk at Blunk Space and solo exhibitions at Ratio 3, San Francisco, and Seven Sisters, Houston. His work is in the permanent collections of the San Francisco Museum of Modern Art; the Blanton Museum, Austin, TX; and the Berkeley Art Museum.

Jamie’s residency was generously sponsored in part by Laura Babka.

Photo by Becca Levi

Miles Lawton Gracey

Medium: Wood
Residency: December 1, 2022–
June 1, 2023

Miles Gracey uses the vocabulary of furniture to translate sculptural forms by activating a once-passive relationship with the participant. Functionally, his furniture attempts to refocus attention on craftsmanship within sculpture, while conceptually undermining the art form’s functional and practical concerns. Gracey describes his work as playful and curious, prompting a participant to suspend their beliefs as it reveals or obfuscates their perspective or relationship with it. One of the artist’s driving forces is his weariness of standing behind ribbons to view art, not being able to touch or taste what he is looking at. Informed by this feeling, his work is concerned with all the senses:  touch, smell, sound, and even taste are at the forefront of his practice. 

Gracey grew up in California, where he received an MFA in “Sculpture New Genre” from Otis College of Art and Design. He fell into the cabinet-making trade and eventually attended The Krenov School of Fine Woodworking. He has attended residencies at Haystack Mountain School of Crafts and was recently a fellow at The Center for Furniture Craftsmanship in Maine. His work has been exhibited in Los Angeles and San Francisco.

To learn more about Miles Gracey’s work, visit his Instagram account: https://www.instagram.com/plays.on.woods/

Applications for the 2025 – 2026 cycle close February 1, 2025.

The open call runs annually from December 1 through February 1. If you missed this year, we encourage you to apply next year. The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.

Applications for the 2025 – 2026 cycle close February 1, 2025.

The open call runs annually from December 1 through February 1. If you missed this year, we encourage you to apply next year. The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.

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