Current Artists-In-Residence

Joan Brown

Clay

A ceramic artist who most recently lived in Philadelphia, Pennsylvania, Joan Brown frequently uses porcelain, a material that helps her represent purity, delicacy, and fragility. This clay body allows her to mimic soft and supple flesh by creating highly detailed manipulations of surface that force the material to become something it is not. By stretching the limits of porcelain’s physical properties, Joan’s work symbolizes many of the complexities of femininity, as defined by both herself and by society. At HCCC, she hopes to expand upon this body of work and continue to develop visual representations of the injustices women face in contemporary cultures. In addition to cultivating her own personal growth, she hopes to be a part of and assist in fostering a community-oriented studio environment that is positive and welcoming.

Joan received her BFA, concentrating in ceramics, from the University of the Arts in 2013 and her MFA, concentrating in ceramics, from Bowling Green University in 2018. In 2020, she completed a two-year residency at University of the Arts, during which time she expounded on her thesis exhibition, Seductive Constrictions. Joan has shown work in Japan, New Orleans, Washington, Ohio and Pennsylvania, including a solo show in 2019, in Philadelphia, Pennsylvania.

Learn more about Brown’s work at www.joanclarebrown.com.

Photo courtesy of artist.

Jihye Han

Clay

Jihye Han uses ceramic and mixed media to construct sculptural and installation-based pieces that speak about the role of boundaries and how they affect social interaction, with a particular sensitivity to the influence of her Korean heritage and international upbringing. Her surface decoration and forms touch on questions about how individuals are connected or disconnected through space, time, and material. She is highly motivated to be a part of HCCC to encourage people to embrace cultural diversity, and she plans to incorporate different methods and processes, including ceramic and mixed-media works that draw from Korean culture and her childhood memories.

Jihye Han earned a BFA in sculpture and ceramics from the University of North Carolina at Greensboro and an MFA in ceramics from the University of North Texas. In 2021, she received the Emerging Award as part of ClayHouston’s Award for Texas BIPOC Ceramic Artists. Recently, she was selected as a recipient of a 2022 Emerging Artist Award for the National Council on Education for the Ceramic Arts (NCECA).

To learn more about Jihye Han’s work, visit

https://www.jihyehanart.com/

Chenlu Hou

Clay

Originally from Shandong, China, ceramic artist Chenlu Hou uses storytelling to combine concurrent, overlapping systems and create a kaleidoscope of all things cultural, taboo, territorial and unforeseeable. Hou endeavors to capture a sense of darkness in her work by reframing, distorting, and highlighting the messiness of this combination. Incorporating a variety of media and forms—such as ceramic sculpture, drawing, industrial materials, video, and alienated figures—she employs the visual culture of folktales as a core vocabulary, which produces a very personal artistic context for her work. She enjoys setting up unconventional and absurd relationships between craft objects and moving images to suggest new and different possibilities.

Hou is currently living in Providence, RI.  She received her BA, concentrating in design, from the Guangzhou Academy of Fine Arts, in 2012, and her MFA, concentrating in ceramics, from Rhode Island School of Design, in 2019. Her work has been shown in the United States, Mexico, China, Korea, Taiwan, and the United Kingdom. She had a solo show in Taipei, Taiwan, in 2021.

Learn more about Hou’s work at chenluhou.cargo.site.

Photo courtesy of the artist.

Nash Quinn

Metal

Nash Quinn is a metalsmith who specializes in pattern-formed enameled vessels and small-scale mechanisms. Originally from Wyoming, he received his BFA from the University of Wyoming and his MFA from Edinboro University of Pennsylvania. He works with a variety of traditional materials, including copper, enamel, and sterling silver, and his work is about joy–the simple joy he experiences in design, process, and craft. He hopes that the objects he makes can carry that joy, and transmit a bit of it to others. At HCCC, he plans to explore the boundaries of the pattern-formed-vessel format.

Quinn teaches, lectures, and exhibits his work at craft schools, jewelry academies, and universities nationwide. He was a professor of jewelry and metalsmithing at Rowan University and Munson Williams Proctor Arts Institute and has taught workshops at Peters Valley School of Craft, Creative Side Jewelry Academy, and Haystack Mountain School of Craft, among many others. His work has been featured in exhibitions, including 40 Under 40: The Next Generation, at the National Ornamental Metal Museum; Imagine Peace Now, created by Boris Bally; as well as Philadelphia: Then and Now 1950-2019 and RINGS!, both organized by Helen Drutt. Learn more about Quinn’s work at www.nashquinn.com.

Photo courtesy of the artist.