Archive by Author: rhenry

PERRY PRICE MOVES ON FROM HCCC

Posted October 31, 2022 in Press Releases

The Board of Directors of the Houston Center for Contemporary Craft (HCCC) announced today that Executive Director Perry Price will leave his position at the end of the year to lead the Haystack Mountain School of Crafts in Deer Isle, Maine, as its next executive director.

“Perry’s nearly seven-year tenure at the Center has been a time of exceptional growth,” says HCCC Board President Judy Nyquist. “His leadership has brought new initiatives, given a platform to diverse voices, and has elevated the dialogue locally, regionally, and nationally about the significance of contemporary craft. He has given his staff the authority to test out new ideas and has led the institution with grace through the most challenging two-and-a-half years in the Center’s history. Our reputation as a thought leader in the field has grown exponentially, and our artist residency program is considered one of the most prestigious in the country, encouraging and enabling both emerging and established makers to experiment and go on to robust careers. While it is very difficult to say goodbye, the HCCC Board of Directors wish Perry and his family the very best at Haystack and look forward to many future collaborations.”

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SARAH DARRO NAMED CURATOR + EXHIBITIONS DIRECTOR

Posted September 23, 2022 in Press Releases

(HOUSTON, TX) September 23, 2022 — Houston Center for Contemporary Craft (HCCC) is pleased to announce that, following a national search, it has named Sarah Darro as its new curator and exhibitions director.

“HCCC is excited to welcome Sarah Darro back to Houston,” said HCCC Executive Director Perry Price. “After three years producing innovative and exciting exhibitions at the Center as our curatorial fellow, Sarah has continued to develop and deepen her curatorial voice in craft at peer institutions across the country and earn impressive accolades for her work. Her accomplishments, her relationships with artists and communities, and her novel approach to exhibition development and design will find a receptive home at HCCC and within the cultural community of Houston.”

Over the past decade, as a curator, writer, and visual anthropologist working at the nexus of contemporary art, craft, and design, Darro has established an intersectional curatorial vision that is invested in reinvigorating museum spaces as forums for discourse, innovation, action, and engagement through experience. Her research interests include artist communities and collectives, relational aesthetics, movement and performance practice in craft, architecturally influenced design, radical accessibility, systems esthetics, and the life histories and agency of objects.

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My Top 5: Artist Matt Manalo

365 Things to Do in Houston Posted September 12, 2022 in In The News

Our thanks to Matt Manalo for including Houston Center for Contemporary Craft in his 365 Things to Do in Houston “My Top 5” feature! We are very excited for Matt’s solo exhibition here at HCCC in early 2023.


In our My Top 5 series, we turn to the Houstonians who create and shape Houston’s character and ask them to share their own favorite things that make H-Town home. This week, we’re delighted to feature artist Matt Manalo, who also founded alternative art space, Alief Art House.

This interview has been edited for length and clarity.

By Justin Jerkins

Photo: Michael Starghill Photography; courtesy of the artist.

“I’ve lived here for 19 years; my family and I moved here [from Manila, Philippines],” says artist Matt Manalo, founder of Alief Art House and Filipinx Artists of Houston. “I was already in college when I left, pursuing computer engineering and then when I came here, I felt like it wasn’t a thing I wanted to pursue anymore. At that time, people were really hiring nurses at a fast rate and so I thought that was something I would be doing for the rest of my life, and it turned out it wasn’t [laughs]. I quickly realized that I can’t really imagine spending the rest of my life working at a hospital and that’s when I did some self-searching…I’ve always been interested in art growing up and that’s when I realized that art is something I wanted to do full-time for the rest of my life.”

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Identities, Narratives, and Histories: CraftTexas 2022 at Houston Center for Contemporary Craft

Arts and Culture TexasPosted July 23, 2022 in In The News

How does craft tell stories differently than other visual arts media? I posed this question to Texas-raised, Los Angeles-based artist and curator Andres Payan Estrada, juror for CraftTexas 2022, the biennial juried exhibition presented by Houston Center for Contemporary Craft (HCCC), now in its 11th edition. “We always highlight the material, how it’s made, and the labor behind it,” says Estrada, “but most importantly we aim to highlight the individual who is making it.”

By Sherry Cheng

Individual narratives and histories are embedded through and through in this conceptually expansive yet thematically cohesive exhibition, on view Oct. 1, 2022 through Jan. 28, 2023 at HCCC. 40 pieces by 27 artists, selected from a pool of more than 250 applicants, enter into nuanced conversations with each other and with the viewer, connecting through explorations of identity, social history, and communal experiences, while pushing the boundaries of contemporary craft. “Artists are dismantling the perception of what a craft object is,” observes Estrada. “It’s often thought of as either solely living in the domestic or something being painstakingly created by hand. A lot of these artists are taking these preconceptions and blowing them up.”

Olaniyi Rasheed Akindiya, “OSU MEJILA ATI ODUN KAN – 12 MOON IS ONE COMPLETE CALENDAR YEAR,” 2020. Mixed-media tapestry sculpture installation. 100 x 26 x 100 inches. Photo by ARTWITHAKIRASH STUDIO LLC.

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2022-2023 RESIDENT ARTISTS ANNOUNCED

Posted July 22, 2022 in Press Releases

(HOUSTON, TX) July 22, 2022 – Houston Center for Contemporary Craft (HCCC) is pleased to announce its newest class of residents for 2022 – 2023, a group of outstanding artists working in a variety of craft disciplines.

For more than 20 years, the Center’s artist residency program has offered time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.  This year, more than 145 artists applied from all over the U.S. and beyond, and 11 artists were selected for a three-to-twelve-month residency. The juried selection was based on quality of creative work, ability to interact with the public, career direction, and program diversity. In addition to 24/7 access to studio space, HCCC provides the artists with a materials-and-living stipend, a variety of professional development opportunities, and a group exhibition at the conclusion of the residency cycle.

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“CRAFTTEXAS 2022” HIGHLIGHTS PERSONAL STRUGGLES, CHALLENGES EXPECTATIONS OF CRAFT

Posted July 1, 2022 in Press Releases

(HOUSTON, TX) July 1, 2022 — This fall, Houston Center for Contemporary Craft (HCCC) presents CraftTexas 2022, the eleventh in a series of juried exhibitions showcasing the best in Texas-made contemporary craft.

Juried by Andres Payan Estrada, the curator of public engagement at Craft Contemporary in Los Angeles, CA, the show includes 40 pieces by nearly 30 artists, highlighting works that speak to personal stories of struggle and resilience, while challenging expectations of contemporary craft. The CraftTexas series provides a unique opportunity for Texas artists to have their work viewed by a nationally recognized juror and to display their work in an exhibition that strives to broaden the understanding of contemporary craft. Payan Estrada, who was raised in Texas, selected his favorite works from a pool of more than 250 applicants. In his juror’s statement, he commented: “What coalesced from spending time with all the entries and methodically pulling selections is a somber exhibition that addresses a history and lineage in craft thought, while at the same time challenging some of the preconceived definitions, histories, and cannons that have commonly been upheld through craft. Throughout the exhibition, one will encounter more nuanced and poetic approaches to identity politics, personal histories, and communal experiences.”

Filling both the main and front gallery spaces at HCCC, the exhibition will include a wide variety of artworks and installations, with a particularly strong showing of work created from fiber, metal, and mixed media.

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“IN RESIDENCE: 15TH EDITION” AT HCCC THIS AUGUST

Posted June 16, 2022 in Press Releases

(HOUSTON,TX) June 16, 2022 – This summer, Houston Center for Contemporary Craft (HCCC) is pleased to present In Residence: 15th Edition, an exhibition celebrating the Artist Residency Program, which has supported artists working in the field of craft for more than two decades. The show features work in clay, metal, and fiber by 2021-2022 resident artists, Joan Clare Brown, Kelly Dzioba, Priscilla Dobler Dzul, Jihye Han, Chenlu Hou, Carl Johnson, Naomi Peterson, Kerianne Quick, Nash Quinn, and Stephanie J. Woods.

The Artist Residency Program at HCCC gives resident artists a space for creative exploration, exchange, and collaboration with other artists, arts professionals, and the public. HCCC Curatorial Fellow Cydney Elaine Pickens notes, “What separates In Residence: 15th Edition from its predecessors is the collaboration among residents. While some of these artists had the opportunity to create collaboratively in person, others were in conversation about how their practices may align or differ, and each was uniquely impacted by their residency here in Houston.”

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HCCC included in AARP’s “Guide to Exploring Houston’s Cool, Walkable Museum District”

AARPPosted June 15, 2022 in In The News

By Becca Hensley

While mourning the death of my grandmother recently, I made my first visit to the Rothko Chapel in Houston. The octagonal, minimalistic sanctum, anchored by a reflective pool, looked nothing like a conventional house of worship, yet it drew me in immediately. Something healing flowed out.

In 1964, art collectors John and Dominique de Menil commissioned abstract expressionist Mark Rothko to design this ecumenical structure. Completed in 1971, a year after Rothko’s suicide, the chapel showcases 14 of this master’s paintings, each featuring a series of mysteriously dark, subtle hues: grays, purples, even greens. They took me inside myself in a grounding way — centering me on that first visit, as well as on subsequent ones.

DAVID WARREN / ALAMY STOCK PHOTO

Houston reigns as an arts and curiosities mecca, as evidenced by its prized Museum District, home to not only this chapel but 18 other institutions grouped into four walkable zones about 4 miles south of downtown. Displaying objects as varied as the largest emerald crystal found in North America, Byzantine icons and Jackson Pollock paintings, the district offers something for every mood. There’s even a 55-acre zoological park.

You can’t experience the entire district in one trip, but here’s a doable plan for a three-day museumfest.

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Craft Artists Get Their Due With One of Houston’s Most Unique Art Havens Celebrating 20 Years

Paper City MagazinePosted June 6, 2022 in In The News

The Houston Center for Contemporary Craft’s Spring Luncheon at River Oaks Country Club toasted 20 years of cutting edge exhibitions from artists working in today’s important craft media. Artist Catherine Morgan, the inspiration behind HCCC’s founding, was honored at the event along with the organization’s original board of directors. who were tapped as honorary chairs.

By Vivian Phillips and Catherine D. Anspon

Yvonne Garcia, David Gooding & Edward Lane McCartney (Photo by Katy Anderson)

The Houston Center for Contemporary Craft’s Spring Luncheon at River Oaks Country Club toasted 20 years of cutting edge exhibitions from artists working in today’s important craft media. Artist Catherine Morgan, the inspiration behind HCCC’s founding, was honored at the event along with the organization’s original board of directors. who were tapped as honorary chairs.

Chrissi Morgan, Bill Morgan, honoree Catherine Morgan, honorary chair Sara Morgan, honorary chair Mike Morgan (Photo by Katy Anderson)

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Former Resident Antonius-Tín Bui Among Winners of $100,000 Award in Craft

Maxewell/Hanrahan FoundationPosted May 18, 2022 in In The News

Exploration and insight require time and commitment. The Maxwell/Hanrahan Foundation Awards in Craft seek to make both possible for devoted craftspeople and artists from around the country who strive to express what we see and experience in our world through engagement with material. The award recognizes practitioners committed to material mastery and exploration with practices encompassing the stewardship of living cultural traditions, unique insight in material study, and the advancement of craft at the intersection of other fields including science. We recognize that arts funding, especially for craftspeople, is lacking in the US, and we encourage others to commit to these fields.

 

2022 marks the first year for the Awards in Craft, and each year we aim to give five craftspeople $100,000. These are one-time, unrestricted awards intended to amplify the voices and work of each craftsperson and give them time and funding as they grow in their careers and propel their work forward. This year’s award winners were selected by a committee of panelists for their unique and visionary approach to material-based practice, their potential to make significant contributions to their craft in the future, and the potential for this award to provide momentum at a critical juncture in their career.

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