About Us

By Laura August Anna Mayer’s first solo exhibition in Houston, Forms of Inheritance, opens with a photographic mural printed on cotton canvas and splayed across

By Sherry Cheng On a global scale, our environment is our inheritance. Mayer takes her interest in the impact of environmental disasters, such as this

By Molly Glentzer Escape looks out of the question for the ghostly, droopy-headed figure hanging from the ceiling. It seems to carry the weight of

By Glasstire Christina Rees and William Sarradet are joined by Houston Center for Contemporary Craft’s Kathryn Hall and María-Elisa Heg to run down the top

By Matthew Brawley Nathalie Miebach’s sculptures are as chaotic as the weather events they depict. The Boston-based artist has created a colorful series of sculptures

By Molly Glentzer My husband, Don’s, worst nightmare was hanging there, against a long wall at the Houston Center for Contemporary Craft: a trio of

“The Water Line” takes its inspiration from Harvey and other extreme weather events. By Matthew Brawley he Houston Center For Contemporary Craft is currently featuring

By Molly Glentzer Walking into “The Water Line,” a visitor could think several things: 1) A carnival has crashed into the walls of the Houston

By Christopher Blay Ceramicist James C. Watkins is the newest recipient of Houston Center for Contemporary Craft’s (HCCC) Texas Master Award. The Lubbock artist, cited

By Joseph Wozny From across the room, Nathalie Miebach’s wall pieces trigger a vague sense of recognition. In the center of a Harvey’s Twitter SOS,