Artists Residency

Artist Residency

The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media. Visitors have the unique opportunity to visit the artists’ studios and watch the artists at work. Interacting with the resident artists is a great way to learn about a range of craft processes and techniques. In turn, the artists receive a unique opportunity to gain exposure, make connections with the Houston community, and help educate the public about craft.

Current Artists

Kendall Ross

Studio: Anne Lamkin Kinder Studio
Medium: Fiber
Residency: March 1, 2026–
May 31, 2026

Kendall Ross is a contemporary textile artist based in Oklahoma City, known for her hand-knit, text-based works that explore themes of identity, memory, and gender. Raised in a family of women makers, the artist draws on generational craft traditions and lived experience to create intimate, narrative-driven fiber art.

Ross holds a BA in History from Pepperdine University, where she researched the political power of knitting in women’s wartime movements. This historical lens continues to shape her practice, blending inherited techniques with conceptual rigor in garments and installations that are both personal and political.

Ross has exhibited nationally, with solo shows at the Pacific Northwest Quilt & Fiber Arts Museum and Kouri + Corrao in Santa Fe. She has completed residencies at the Banff Centre and Penland School of Craft, and was an accompanying artist for the Coded Objects project at the Kunsthistorisches Institut in Florence. Her work has been featured in Hi-Fructose, Colossal, Fiber Art Now, and Glamour. As a teaching artist at Oklahoma Contemporary, Ross fosters accessible, expressive spaces for fiber arts, challenging the boundaries between craft and fine art. She is represented by Kouri + Corrao, Santa Fe, New Mexico.

To learn more about Kendall Ross, visit https://idknitthatco.com/

 

Kendall’s residency is generously sponsored in part by Bob and Sue Schwartz.

Resident artist Malene-Djenaba-Barnett_photographer-Alaric-Campbell
Alaric Campbell

Malene Barnett

Studio: Sara + Bill Morgan Studio
Medium: Clay
Residency: March 1, 2026–
May 31, 2026

Malene (ma-lay-nee) Djenaba (jen-na-ba) Barnett is an award-winning multidisciplinary artist, textile surface designer, and community builder. In her work, she explores both her Caribbean heritage and surface pattern design found in African and diasporic architecture, textiles, and objects. From art and design to research, writing, and public speaking, she works to empower and unite Black artists and designers through community building.

Barnett’s incised ceramic vessels and architectural installations, woven portraits and photo-based collages have been exhibited at galleries and museums throughout the United States, including the Museum of the African Diaspora (San Francisco), Kingston Biennale at the National Gallery of Jamaica, African American Museum of Dallas, Mindy Solomon Gallery (Miami), the Museum of Science + Industry (Chicago), Sugar Hill Museum (NYC), and Temple Contemporary (Philadelphia). Her art and design work have been featured in magazines including The New York Times, Galerie, Elle Decor, Architectural Digest, Departures and Interior Design, and on Room to Inspire (Magnolia Network, HBO Max).

Barnett holds an MFA in Ceramics from the Tyler School of Art & Architecture, undergraduate degrees in fashion illustration and textile surface design from the Fashion Institute of Technology, and was awarded a Fulbright Award in 2022 to research African Jamaican ceramic traditions as a visiting artist at Edna Manley College in Kingston, Jamaica. Her works are in private and public collections that include Los Angeles County Museum and National Museum of African American History and Culture.

To learn more about Malene Djenaba Barnett, visit https://www.malenebarnett.com/

 

Malene’s residency is generously sponsored in part by Rob Greenstein.

Photo by: Mayuko Ono Gray

Candace Hicks

Medium: Fiber
Residency: March 1, 2026–
May 31, 2026

Candace Hicks is a multidisciplinary artist and educator whose work explores narrative, coincidence, and the act of reading through artist’s books and immersive installations. Growing up on a ranch in Texas, storytelling and drawing played an early and formative role in the artist’s creative development.

Hicks’ background in book arts and training as a printmaker (MFA, Texas Christian University) has led her to cultivate a distinctive practice that blurs the boundaries between literature and visual art. A lifelong reader, she collects coincidences from the books she consumes—shared words, themes, and plot elements—and transforms them into conceptual art experiences. Her ongoing artist’s book series, Common Threads, investigates the synchronicity of fictional worlds and is held in over 90 collections worldwide, including the Museum of Modern Art, the Metropolitan Museum of Art, and Harvard University. One volume is permanently displayed at the New York Public Library in the Polonsky Collection of Treasures.

Hicks’ installations extend her book work into three-dimensional, participatory environments, which have been exhibited at venues such as Lawndale Art Center (Houston, TX), Art Living Arts (Tulsa, OK), Women & Their Work (Austin, TX), and Blue Star Contemporary (San Antonio, TX).

A committed educator, Hicks has taught design since 2012 and been recognized with the Stephen F. Austin Foundation Award for Research and multiple research grants.

She has also taught workshops in book arts and embroidery to international audiences, notably at the Center for Book Arts in New York, and has recently completed a Fulbright U.S. Scholar project in Amiens, France.

To learn more about Candace Hicks, visit http://www.candacehicks.com/

 

Candace’s residency is generously sponsored in part by Cyvia G. Wolff.

Photo courtesy of the artist.

Katie Mongoven

Studio: Catherine Asher Morgan
Medium: Fiber
Residency: December 1, 2025–
August 31, 2026

Katie Mongoven/秋莲 is a Chinese American fiber artist from Washington, DC, based in Detroit, Michigan. Using thread, hair, beads, and found ceramics, she examines the themes of identity, ornamentalism, and bodily autonomy as they interact within the Asian American diaspora, viewed through the lens of an orphan and adoptee from China’s one-child-policy era.

Mongoven received a BFA from the University of Michigan and an MFA in Fiber from Cranbrook Academy of Art, along with the Surface Design Association’s Outstanding Student Award. She was a Roman J. Witt Visiting Artist at the University of Michigan, a Windgate University Fellow at Arrowmont School of Arts & Crafts, and the Barstow Artist-in-Residence at Central Michigan University. Other residencies she attended include the California Institute of the Arts and the University of Michigan, with a forthcoming residency at Stove Works. Solo and group exhibitions include the University of Michigan, Playground Detroit, and Riffe Gallery and ROY G BIV Gallery in Ohio.

To learn more about Katie Mongoven, visit katiemongoven.com.

Katie’s residency is generously sponsored in part by Scott & Judy Nyquist and Jerome Schultz.

Upcoming

Medium: Wood
Residency: Summer 2026
Medium: Craft + Photography
Residency: Summer 2026

Alumni

THANKS TO OUR FUNDERS

The artist residency program is generously supported by funding from the Windgate Foundation; Susan Vaughan Foundation, Inc.; Maxwell/Hanrahan Foundation; and the Gordon A. Cain Foundation. Grant support contributes to monthly stipends for the residents, as well as the operational and administrative needs of the program. The program is also supported by the following generous individuals: Anne Lamkin Kinder, Scott and Judy Nyquist, Isabelle Asakura and Seth Stolbun, Laura Babka, Jereann Chaney, Phyllis Childress, Rob Greenstein, Edward R. Allen III and Chinhui Juhn, Margaret M. McKay, Mariela Poleo, Jerome Schultz, and Sue and Bob Schwartz.

The open call runs annually from December 1 through February 1. If you missed this year, we encourage you to apply next year. The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.

The open call runs annually from December 1 through February 1. If you missed this year, we encourage you to apply next year. The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.