Opening Reception
Friday, October 4, 5:30 – 8:00 PM
5:30 PM – Artist Talk by Tybre Newcomer (The Maker’s Archive)
5:45 PM – Curators’ Talk by Susie J. Silbert and Anna Walker (SPRAWL)
Open Studios by Current Resident Artists (to follow artist talks)

The opening will also feature The Maker’s Archive, in the Front Gallery

To read the SPRAWL Catalog, click here.

With its soaring expressways and seemingly endless geography, little defines Houston in the public consciousness more than urban sprawl. This fall, Houston Center for Contemporary Craft (HCCC) takes on the implications of this development pattern in the national exhibition, SPRAWL. Co-curated by former HCCC Curatorial Fellow, Susie J. Silbert and former HCCC Curator, Anna Walker, SPRAWL features 16 emerging and mid-career artists whose works deal with the urban landscape.

Arranged in three sections, “Infrastructure of Expansion,” “Survey, Plan, Build,” and “Aftereffects,” which loosely define the phases of urban growth, the exhibition is intended to present a non-polemical view. As Silbert and Walker commented, “The topic of sprawl can be a lightening rod—depending on who you talk to, it can evoke visions of cookie-cutter houses and inefficient city planning or it can inspire discussions on freedom of choice and affordable housing. We wanted to harness that complexity to create an exhibition that looks at the totality of sprawl—the good, bad, and the ugly.”

An example of this ambivalence can be seen in Yesterday’s Tomorrow, an expansive piece by ceramic artist, Dylan Beck, comprised of wood shims, plastic, and clay. In it, a shimmering column of silvery plastic gridding and brilliant blue—a simulacrum of a glass and steel skyscraper—juts up next to an ornate ogee of grouted terracotta cornices. Read from one angle, it can be seen as a symbol of upheaval, of old making way for new. From another, it represents the aesthetic dynamism of a postmodern city, incorporating diverse styles and historical periods into a cohesive whole.

Norwood Viviano takes a more analytical approach to the topic of expansion in his installation, Cities: Departure and Deviation. Borrowing a page from architects and urban planners, the artist analyzed statistical data from 24 urban centers in the United States to create digital renderings charting their population growth and/or decline. Viviano used these renderings to create precise three-dimensional models in pristine shades of black, white and transparent grey glass that hang like plumb bobs—a further reference to processes of construction and growth. The overall effect is clinical, though the precarious nature of the material hints at an underlying fragility.

Kathryn Clark’s Foreclosure Quilts are also grounded in data, though their presentation is anything but clinical. With their minimal geometric patterns, subdued tones and scrappy appearance, Clark’s pieces incorporate the human touch of textile to make the pain of the housing crisis palpable. Using a specificity forged in years spent as an architect and urban planner, Clark translates data from the hardest hit sections of each city into layers of color, even cutting out sections to represent foreclosed properties, to create pieces such as Detroit, Chicago, and Cape Coral.

In addition to the works on site, SPRAWL will incorporate two additional types of programming. The first is a series of walking tours, featuring craft in the suburbs of Houston, by artist Carrie Schneider as part of her project, Hear Our Houston.* The second is HCCC’s inaugural speaker series, designed to provide a forum for Houston’s rich dialogue on urban development.

*Carrie Schneider’s “Hear Our Houston” installation was made possible with funding from Virginia Sudela.

SPRAWL Featured Artists

SPRAWL Speaker Series

All talks will take place at Houston Center for Contemporary Craft.
Click here to read the speakers’ bios.

Infrastructure of Expansion

• October 18, 12:00 – 1:00 PM
  Ed Emmett, Harris County Judge

• October 24, 6:00 – 7:00 PM
  Thomas Colbert, Associate Professor at the Gerald D. Hines College of Architecture, University of Houston
  Susan Rogers, Director of the Community Design Resource Center and Assistant Professor at the University of Houston’s College of Architecture

Survey, Plan, Build

• November 6, 6:00 – 7:00 PM
  Brian Crimmins, City of Houston Planning & Development Chief of Staff

• November 7, 6:00 – 7:00 PM
  Houston Urban Development & Improvement Panel
  David Crossley, President of Houston Tomorrow
  Peter Brown, Director of Better Houston
  Diane Schenke, President of Greater East End District

Aftereffects

• December 17, 6:00 – 7:00 PM
  Sara Zewde, M. L. A. Candidate, Harvard University Graduate School of Design

• January 9, 7:00 – 8:00 PM
  Carrie Schneider, Houston Artist

The SPRAWL Speaker Series was made possible in part through the City’s Initiative Grant Program of the Houston Arts Alliance.

Above: (1) Dylan Beck, “Cardiac.” Bisque porcelain, vinyl. 2009. Photo by Dylan Beck. (2) Kathryn Clark, “Cape Coral Foreclosure Quilt.” Recycled bleached linen, recycled string and quilting thread. 2011. Photo by Kathryn Clark. (3) Kathryn Clark, “Chicago Foreclosure Quilt.” Linen, cotton and embroidery thread. 2013. Photo by Kathryn Clark. (4) Kathryn Clark, “Detroit Foreclosure Quilt.” Cheesecloth, linen, cotton and embroidery thread. 2011. Photo by Kathryn Clark. (5) Béatrice Coron, “Chaos City.” Cut Tyvek. 2010. Photo by Etienne Frossard. (6 & 7) Dustin Farnsworth, “Looming Genes and Rooted Dreams.” Reclaimed bead board, MDF, plywood, aluminum, poplar, mild steel, plexiglass, soil, concrete, various polychrome. 2009. Photo by Peter McDaniel. (8) Nancy Nicholson, “Construction #3.” Blown glass, lead, vitreous paints. 2008. Photo by Nancy Nicholson. (9) Nancy Nicholson, “Construction #4.” Blown glass, lead, vitreous paints. 2008. Photo by Nancy Nicholson. (10 & 11) Paul Sacaridiz, “An Incomplete Articulation.” Ceramic, wood, powder coated aluminum, cut vinyl, board. 2011. Photo courtesy of the Denver Art Museum. (12 & 13) E. Ryan Simmons, “Immobile Trailers.” Fabricated steel, rust, paint, wax. 2009. Photo by E. Ryan Simmons. (14) Norwood Viviano, “Cities: Departure and Deviation (Atlanta to Los Angeles Detail).” Blown glass and vinyl cut drawings. 2011. Photo by Cathy Carver. (15) Norwood Viviano, “Cities: Departure and Deviation (Indianapolis to Los Angeles Detail).” Blown glass and vinyl cut drawings. 2011. Photo by Cathy Carver. (16 & 17) Dane Youngren, “High Rise.” Ceramic, wood crate, steel. 2011. Photo by Dane Youngren.