Utilizing material and process, Naomi Peterson creates contexts between objects to better understand and define the connections between seemingly disparate things. Integrating both analog and digital methods such as hand building, laser cutting, knitting, 3D printing, and felting, Peterson explores what craft means in the digital age. Her handcrafted, ornate pedestals represent the gravity of a perceived circumstance, such as making a promise. Trust, like a ceramic object, can be broken as well as repaired, though the result will most certainly be altered. Through these contexts, she examines her own experiences and observations in building relationships facilitated by objects and rituals. While in residence at HCCC, Peterson plans to expand on these investigations into subject-object relationships through bodies of work composed of functional and participatory elements.
Peterson received her MFA in ceramics at the University of North Texas in 2021 and her BFA in ceramics at the University of Wyoming in 2017. She was a Post-baccalaureate in ceramics at the University of Wyoming for the 2017 – 2018 academic year and participated in the annual, short-term, Neltje artist-in-residence program in 2018. Peterson has exhibited nationally; recently, her work was on display at Gandee Gallery in Fabius, New York, as part of the 2021 National Council on Education for the Ceramic Arts (NCECA) Gallery Expo. In November of 2021, she will participate in a group exhibition, titled Women, Art, and Technology, at the Fort Worth Community Arts Center, curated by Eliza Au.
To learn more about Peterson’s work, visit https://www.naomipeterson.com.