Artists Residency

Artist Residency

The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media. Visitors have the unique opportunity to visit the artists’ studios and watch the artists at work. Interacting with the resident artists is a great way to learn about a range of craft processes and techniques. In turn, the artists receive a unique opportunity to gain exposure, make connections with the Houston community, and help educate the public about craft.

Current Artists

Photo courtesy of the artist.

Roslyn Dupre

Studio: Sara + Bill Morgan Studio
Medium: Fiber
Residency: December 1, 2025–
February 28, 2026

Roslyn Dupré is a bricoleur and mixed-media artist who blends humble materials and craft to fashion sewn papers and woven constructions. A former geoscientist and editor, she is a maker of objects, an observer, and a commentator. Much of her work is abstracted commentary, with constructed objects capturing her reflections of the world around her. Her objects sometimes embody expressions of memory, reinterpreted in the context of new realities and greater experience. Others are more distant and less immediately narrative but are careful compositions of action and material, form and response. The historical significance of the materials she uses is integral to her work, as each object carries the weight of its past and does not pretend to exist without it.

Dupré earned an MFA in the Sculpture Department from the Katherine G. McGovern School of Art, University of Houston. Recent solo shows have included The daily devotional at Lawndale, which was accompanied by Rabea Ballin’s thoughtful essay, and On US at LRT Gallery. Her work was also recently included in the Texas Biennial 2024’s The Last Sky: Thermals and Thresholds at Sawyer Yards and is on display at Hobby Airport as part of the City of Houston’s Civic Art Collection.

To learn more about Roslyn Dupré, visit https://www.roslyndupre.com/.

Roslyn’s residency is generously sponsored in part by Phyllis Childress.

Photo by Kay Hickman.

Grace Sachi Troxell

Studio: Anne Lamkin Kinder Studio
Medium: Clay
Residency: December 1, 2025–
February 28, 2026

Grace Sachi Troxell is an artist based in Waterville, NY. Troxell comes from a lineage of Japanese and Pennsylvania Dutch ceramicists. She uses clay, steel, and found objects to explore entanglements between organic and inorganic materials, form and deformity, and digestion. By combining hand building and casts of her family and vegetables, she is constructing a speculative archaeology.

Troxell received a BS in Studio Art from Skidmore College, a post-graduate certificate in painting from the Glasgow School of Art, and an MFA from Cornell University. She has been an artist-in-residence at Skowhegan; Sharpe-Walentas; MacDowell; Yaddo; Sculpture Space; the Studios at MASS MoCa; Woodstock Byrdcliffe; Willapa Bay AiR; The Pottery Workshop in Jingdezhen, China; Dumfries House, Scotland; and Daugavpils Rothko Center, Latvia. Troxell’s work has been included in exhibitions in New York City at Swivel Gallery, Hesse Flatow, Wave Hill, Bridget Donahue, Jack Hanley, 125 Maiden Lane, and Alison Bradley Projects. She has also been included in exhibitions at The Johnson Museum of Art, Neighbors, String Gallery, Cohen Gallery, Haw Contemporary, shedshows, and the Hartnett Gallery, among others. She is currently the assistant professor of ceramics at The University of Florida, Gainesville.

Learn more about Grace Sachi Troxell’s work, visit gracesachitroxell.com.

Grace’s residency is generously sponsored in part by Bellows Construction.

Photo courtesy of the artist.

Katie Mongoven

Medium: Fiber
Residency: December 1, 2025–
August 31, 2026

Katie Mongoven/秋莲 is a Chinese American fiber artist from Washington, DC, based in Detroit, Michigan. Using thread, hair, beads, and found ceramics, she examines the themes of identity, ornamentalism, and bodily autonomy as they interact within the Asian American diaspora, viewed through the lens of an orphan and adoptee from China’s one-child-policy era.

Mongoven received a BFA from the University of Michigan and an MFA in Fiber from Cranbrook Academy of Art, along with the Surface Design Association’s Outstanding Student Award. She was a Roman J. Witt Visiting Artist at the University of Michigan, a Windgate University Fellow at Arrowmont School of Arts & Crafts, and the Barstow Artist-in-Residence at Central Michigan University. Other residencies she attended include the California Institute of the Arts and the University of Michigan, with a forthcoming residency at Stove Works. Solo and group exhibitions include the University of Michigan, Playground Detroit, and Riffe Gallery and ROY G BIV Gallery in Ohio.

To learn more about Katie Mongoven, visit katiemongoven.com.

Katie’s residency is generously sponsored in part by Scott & Judy Nyquist and Jerome Schultz.

Headshot: Courtesy of Lorena Morales

Lorena Morales

Medium: Fiber
Residency: September 1, 2025–
February 28, 2026

Lorena Morales is a multidisciplinary visual artist currently based in Houston, Texas. Her work relates to the evolving nature of home and the significance of what this carries for an individual and their identity in a rapidly changing world. Through a variety of materials, she explores the relationship between personal and collective experiences, stories, and contexts, challenging the viewer to further discover the simultaneously positive and negative feelings surrounding home by exploring spaces that are intangible, metaphoric and psychological.

Born in Maracaibo, Venezuela, Morales holds certificates in painting and sculpture from the Glassell School of Art at the Museum of Fine Arts, Houston, as well as a degree in business administration. She completed the Block XIX Program at the Glassell School of Art, and was also awarded a grant by the Carlos Cruz-Diez Foundation and the Glassell School of Art for participation in an advanced seminar in contemporary art. She was one of the selected 2021/22 artists-in-residence at the L’AIR Arts Research Residency in Paris, France, and in 2023, she joined the hybrid art residency Mar Adentro at Puertas Adentro in Punta del Este, Uruguay.

Morales’ work has been exhibited extensively in art galleries, nonprofit organizations, and art museums in Texas, as well as nationally and internationally, in Venezuela, France, Uruguay, and Germany. Her work is held in the permanent collection of the George R. Brown Convention Center in Houston, City of Houston’s Civic Art Collection, George Bush Intercontinental Airport, and in many other public and private collections. More recently, Morales was selected as the 1st Place winner for The Wendy Wagner Foundation 2024 Fall Trio Creative Grant. Her work is represented by Hooks-Epstein Galleries in Houston, Texas, and Contemporaneo Gallery in Asheville, North Carolina.

To learn more about Lorena Morales, visit https://www.lorenamorales.com/.

Lorena’s residency was generously sponsored in part by Phyllis Childress.

Upcoming

Medium: Fiber
Residency: Spring 2026
Medium: Clay
Residency: Spring 2026
Medium: Fiber
Residency: Spring 2026
Medium: Wood
Residency: Summer 2026
Medium: Fiber
Residency: Summer 2026
Medium: Craft + Photography
Residency: Summer 2026

Alumni

THANKS TO OUR FUNDERS

The artist residency program is generously supported by funding from the Windgate Foundation; Susan Vaughan Foundation, Inc.; Maxwell/Hanrahan Foundation; and the Gordon A. Cain Foundation. Grant support contributes to monthly stipends for the residents, as well as the operational and administrative needs of the program. The program is also supported by the following generous individuals: Anne Lamkin Kinder, Scott and Judy Nyquist, Isabelle Asakura and Seth Stolbun, Laura Babka, Jereann Chaney, Phyllis Childress, Rob Greenstein, Edward R. Allen III and Chinhui Juhn, Margaret M. McKay, Mariela Poleo, Jerome Schultz, and Sue and Bob Schwartz.

The open call runs annually from December 1 through February 1. If you missed this year, we encourage you to apply next year. The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.

The open call runs annually from December 1 through February 1. If you missed this year, we encourage you to apply next year. The Artist Residency Program is designed to offer time and space for craft artists to focus on their creative work and interact with the public. The program supports emerging, mid-career, and established artists working in all craft media, including but not limited to clay, fiber, glass, metal, wood and mixed media.