A View Within

On View
May 27, 2016 –
September 3, 2016
Location
In the Main Gallery

Opening Reception
Friday, May 27, 5:30 – 8:00 PM
The evening also features the opening of Charlotte Potter: Glass Armory in the Front Gallery, In Residence in the Artist Hall, and open studios by HCCC’s current resident artists.

Members-Only Tour & Reception with “A View Within” Artists
Thursday, June 9, 5:30 – 7:00 PM

Artist Talks + Yoga in the Gallery
Saturday, June 11, 11:00 AM – 12:30 PM

Yoga in the Gallery
Saturday, July 23, 11:00 AM – 12:00 PM

The Power of Healing through Art with
Jennifer Mabus, Lynn Lane & Camilo Gonzalez
Thursday, August 11, 6:00 PM

The advent of sonograms, MRIs, and other advanced forms of body imaging have transformed modern medicine and the way in which people view their bodies. These non-invasive renderings provide doctors with critical information about personal health, and, yet, when faced with uncertainty about a diagnosis, these medical images can provoke fear and confusion. They give a powerful glimpse into the complex systems of the bodily existence, marking growth and deterioration.

This summer, Houston Center for Contemporary Craft (HCCC) presents A View Within, an exhibition of textiles by Karen Rips and Paula Chung inspired by body imaging from the artists’ friends, family members, and strangers. As a collaboration that began in 2009, Rips’ and Chung’s textiles illuminate the beauty, strength, and vulnerability of the human body, introducing emotion to these otherwise static images. Rips and Chung write in their artist statement, “As artists, we find these images compelling, since they can be seen simply as shapes and lines, dark and light spaces.”

Uniting layers of hand-dyed silk and cotton through a combination of stitches made both by hand and by a free-motion sewing machine, each artist interprets the same diagnostic image in her own distinctive voice. In Rips’ piece, Swayback, and in Chung’s piece, Crossed Arms, each artist responds very differently to an MRI of a torso in profile. Rips’ bold and expressive textiles translate emotion through line, color, and space, distilling each image into an abstract composition. In Swayback, Rips creates a gestural red stroke marked by cross-stitching to reflect the curve of a spine. Like ripples of water, fabric is gathered on either side of the spine, echoing the outline of the silhouette.

Alongside Rip’s abstract interpretation of the spine, in Crossed Arms, Chung’s beautifully detailed tapestry provides an intimate portrayal of the figure’s posture by using a free-motion sewing machine to create rich color gradations. Using this method, she is able to thread up to six different colors of thread at one time. This free-form technique allows her to exercise great control over the thread, which yields soft and subtle color changes in the textile. Chung’s impressionistic use of color evokes an intense emotional response while it is also a realistic study of an MRI.

The artists’ command of material and technique inspires an important dialogue about people’s interpretations, responses, and relationships to these medical images. HCCC Curator Kathryn Hall reflects on the positive connection between art and medicine that this exhibition illustrates: “Artists have made significant contributions to our understanding of the human body. Leonardo da Vinci’s studies of the mechanics of the heart’s arterial valves, as well as his drawings of the human skeleton and major organs, were critical in determining how our bodies function. This is no less true today. A View Within inspires us to open up about our own experiences with life and death, allowing us to discuss subjects—like illness and disease—that are otherwise unpalatable.” At the heart of this exhibition, Karen Rips’ and Paula Chung’s textiles expose viewers to the inner beauty found within their own bodies, challenging them to embrace change and find common ground.

About the Artists

Paula Chung lives in Zephyr Cove, Nevada, where she studies nature and maintains her fiber-art practice. Chung began her career in fiber art as a quilter. She has exhibited her work internationally and received several awards of merit, including the 2008 Silver and Bronze awards at the 9th Quilt Nihon Exhibition in Tokyo, Japan. Chung has contributed to several publications, including the Surface Design Journal (Summer 2012) and Quilting Arts Magazine (April/May, Oct./Nov. 2011).

Living in Thousand Oaks, California, Karen Rips is pursuing a career as a fiber artist after retiring from neonatal nursing. With over 30 years of quilting experience, Rips continues to experiment with dye techniques and enjoys the process of “mark-making.” She has exhibited internationally in the UK, New Zealand, and Australia as part of the Twelve by Twelve International Exhibition. Her work can be found in the collections of the Kaiser Permanente Hospital, Panorama City Medical Center in Los Angeles, CA, and at the Providence St. Joseph’s Medical Center, in Burbank, CA.

Visit Paula Chung and Karen Rip’s blog at https://aviewwithin.wordpress.com/.

Above: (1) Paula Chung, “Inner Ear I,” 2015. Silk, cotton, poly batting, thread. Photo by Paula Chung. (2) Karen Rips, “Listen Up,” 2015. Cotton, wool, thread. Photo by Theodore Rips. (3) Paula Chung, “Crossed Arms,” 2015. Silk, cotton, poly batting, thread. Photo by Paula Chung. (4) Karen Rips, “Swayback,” 2015. Cotton, wool, thread. Photo by Theodore Rips. (5) Paula Chung, “New Born,” 2015. Silk, cotton, poly batting, thread. Photo by Paula Chung. (6) Karen Rips, “Baby Blues,” 2015. Cotton, wool, thread. Photo by Theodore Rips. (7) Paula Chung, “Alzheimer’s Brain,” 2015. Silk, cotton, poly batting, thread. Photo by Paula Chung. (8) Karen Rips, “Letting Go,” 2014. Cotton, wool, thread. Photo by Theodore Rips. (9) Karen Rips, “Losing His Mind”, 2014. Cotton, wool, thread. Photo by Theodore Rips. (10) Exhibition view of “A View Within.” On view at Houston Center for Contemporary Craft, Houston, TX, May 27 – September 3, 2016. Photo by Scott Cartwright. (11) Left to right: Paula Chung, “Shoulder,” 2015. Silk, cotton, polybatting, thread. Karen Rips, “Cold Shoulder,” 2015. Cotton, wool, thread. Paula Chung, “Crossed Arms,” 2014. Silk, cotton, polybatting, thread. Karen Rips, “Swayback,” 2015. Cotton, wool, thread. Photo by Scott Cartwright. (12) Exhibition view of “A View Within.” On view at Houston Center for Contemporary Craft, Houston, TX, May 27 – September 3, 2016. Photo by Scott Cartwright. (13) Left to right: Paula Chung, “Alzheimer’s Brain,” 2013. Silk, cotton, polybatting, thread. Karen Rips, “Losing His Mind,” 2014. Cotton, wool, thread. Karen Rips, “Letting Go,” 2014. Cotton, wool, thread. Photo by Scott Cartwright.  (14) Exhibition view of “A View Within.” On view at Houston Center for Contemporary Craft, Houston, TX, May 27 – September 3, 2016. Photo by Scott Cartwright. (15) Left to right: Karen Rips, “Taking Root,” 2014. Cotton, wool, thread. Paula Chung, Implantation, 2014. Silk, cotton, polybatting, thread. Karen Rips, “Long Division,” 2014. Cotton, wool, thread. Paula Chung, “Ovary,” 2014. Silk, cotton, polybatting, thread. Photo by Scott Cartwright. (16) Left to right: Karen Rips, “Z3,” 2014. Cotton, wool, thread. Paual Chung, “Z12 Heartbeat,” 2014. Silk, cotton, polybatting, thread. Karen Rips, “Z6,” 2015. Cotton, wool, thread. Paula Chung, “Z27 Week Spine,” 2014. Silk, cotton ,polybatting, thread. Photo by Scott Cartwright. (17) Left to right: Paula Chung, “Newborn,” 2015. Silk, cotton, polybatting, thread. Karen Rips, “Baby Blues,” 2015. Cotton, wool, thread. Photo by Scott Cartwright. (18) Left to right: Paula Chung, “Inner Ear I,” 2014. Silk, cotton, polybatting, thread. Karen Rips, “Listen Up,” 2015. Cotton, wool, thread. Photo by Scott Cartwright. (18 – 22) Exhibition view of “A View Within.” On view at Houston Center for Contemporary Craft, Houston, TX, May 27 – September 3, 2016. Photo by Scott Cartwright.

Houston Center for Contemporary Craft galleries are dedicated to interpreting and exhibiting craft in all media and making practices. Artists on view can range from locally emerging to internationally renowned and our curatorial work surveys traditional and experimental approaches to materials.

Houston Center for Contemporary Craft galleries are dedicated to interpreting and exhibiting craft in all media and making practices. Artists on view can range from locally emerging to internationally renowned and our curatorial work surveys traditional and experimental approaches to materials.

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